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Roméo Mivekannin

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Open a larger version of the following image in a popup: Roméo Mivekannin, Black and White (after C. Coutinho, Mozambique, 1907), Barnum Series, 2019

Roméo Mivekannin

Black and White (after C. Coutinho, Mozambique, 1907), Barnum Series, 2019
Acrylic and elixir bath on free canvas
251 x 254 cm
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Plus d'images

  • (View a larger image of thumbnail 1 ) Roméo Mivekannin, Les Tirailleurs sénégalais en Algérie, 2021
  • Black and White (after C. Coutinho, Mozambique, 1907), Barnum Series
Vue In Situ
In the Barnum series, Roméo Mivekannin questions the place of Black people in a Western iconography marked by the systems of human trafficking and domination that were slavery and colonisation....
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In the Barnum series, Roméo Mivekannin questions the place of Black people in a Western iconography marked by the systems of human trafficking and domination that were slavery and colonisation. By citing photographs of 'human zoos', famous classical paintings or iconic photographs illustrating the systemic injustices suffered by black people, and by representing himself in his compositions, the artist draws a direct line between yesterday and today.
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Expositions

Les âmes du peuple noir, exposition personnelle de Roméo Mivekannin à la Galerie Cécile Fakhoury - Abidjan du 19 septembre au 28 novembre 2020
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