Jess Atieno’s practice is informed by studies on African modernisms and visual culture from a post- colonial perspective. Within this, she has focused her research on photographic archives, guided by artistic gestures that centre decolonized interpretations of history. Atieno makes time travels through history’s material remains such as photographs, maps and documents, incorporating them into the making of screen prints on large canvases and intricate woven tapestries. Her work is a captivating exploration of history and memory, challenging us to reconsider the past and its ongoing impact on contemporary identity and culture.